2014 Comic-Con: Friday's TV Panels

Yesterday we saw television panels for three series and a scholarly approach. Today, our television panels included three for series, two for behind-the-scenes writing, and one on the translation of television to comics. Nope, this isn't exactly what we planned initially... we didn't make it to iZombie due to a time-ticketed exhibit, but learned that they weren't able to show the pilot in its entirety anyway (due to re-casting), so no major loss. We purposely chose to skip The Unexplained Files due to the additional information that was released describing the panel. But, we thew in another series and two different sessions discussing how pilots come to be, and what it takes to write one, so that's different. Included below are some highlights from these  events - look for more in-depth articles in the future. And, be sure to follow us on SmugMug, on Twitter or on Facebook for the latest throughout Comic-Con!

Writing for TV: From First Draft to Getting Staffed, with Spiro Skentzos, Karen Horne, Keto Shimizu, David Schulner, and David Slack.
- The more television you watch, the better you will be at identifying event triggers, character goals, and the stakes of a dilemma, which will improve a writer's ability to create those things.
- It's helpful to write a character description in both the first and third persons so you can get into their head and think of how they'll say things.
- You need more than just a spec script for a currently airing show and your pilot. Create content to showcase your abilities. With that, write what you know.

photo: Amy K. Bredemeyer

The Chair: One Script, Two Visions, One Winner, with Zachary Quinto, Dan Schoffer, Josh Shader, Shane Dawson, and Anna Martemucci.
- Martemucci was paranoid about being filmed as she directed, knowing that similar things have wreaked havoc on families.
- Dawson really learned to be patient through this project. He's accustomed to just putting an ad on Craigslist, getting an actor, and paying them. Now, he had a month to cast, a budget to work with, etc.
- Dawson won't be leaving YouTube behind after eight years of videos, but he thinks he'll need to change it, even if that's just slowing down to one video each week.

photo: Amy K. Bredemeyer

The 100 Special Video Presentation and Q&A, with Jason Rothenberg, Eliza Taylor, Isaiah Washington, Ricky Whittle, Lindsay Morgan, Devon Bostick, and Marie Avgeropoulos.
- The second season has fewer than 68 people alive. BUT, the title of the series doesn't refer to the number of people, but rather the name of the project.
- More information about the languages of the Grounders will come out - we even heard Avgreropoulos speak a bit in the tongue!
- Getting dirty happens much quicker than getting clean, so the actors don't mind wearing rags, because they're not spending hours in the makeup chair!
- If they had to spend a week with a castmate, Taylor would pick Bostick because he's funny, Whittle would pick Morgan because she can cook, and Avgreropoulos would pick Bostick because Canadians know how to survive!
- Most of the characters are now on the ground, so there will be some strange pairings in the near future. 

photo: Amy K. Bredemeyer

Falling Skies Season 4 Panel, with Noah Wyle, Moon Bloodgood, Will Patton, Drew Roy, Sarah Carter, Maxim Knight, Doug Jones, Scarlett Byrne, and David Eich.
- Sarah calls the second half of the season "gnarly"!!
- Yet another variation on the species we've seen will come about.
- Bloodgood liked working with different actors this season, because although it was unfamiliar, it was also refreshing.
- Wyle thinks that the structure of this season allowed for a lot of the characters to develop their leadership skills.
- Anne will have a flashback to her life with a son.
- Patton noted that "Weaver feels a certain amount of things in his heart as Lexi makes him think about Jeanne." The character becomes one of Lexi's biggest proponents because of that. Also, he wants his character to have one more shot at love before the end of the series.
- Wyle hopes that Tom will get to be a founding father in the next society.
- Jones would like Cochise to understand what peace is and have a heart-to-heart with his father, then remain behind with his human friends. (and maybe move to Atlanta and become the head of programming at TNT, haha!)

photo: Amy K. Bredemeyer

Roar Comics: Saved by the Bell, Punky Brewster, and More, with Adam Staffaroni, Chynna Clugston Flores, Anne Toole, Lesley Vamos, and Brandon Easton.
- In the Punky Brewster comic, Henry becomes the title character's mother's cousin. I had never thought about society no longer accepting a young girl living with an elderly unmarried man!
- Henry's job has also been upgraded to him being a successful traveling photographer, so the storylines will take them out of Chicago.
- Original characters like Alan, Margeaux, Cherie, and Betty are still there.
- The Saved by the Bell comic maintains the Zack-Kelly-Slater love triangle.
- They will be starting a Care Bears comic book in 2015! Also, be on the lookout for Madballs and Packages from Planet X.

How to Write a Pilot, with Gray Jones, Jen Grisanti, William Rabkin, Bill Taub, and Carole Kirschner.
- Although it's tough to sell a pilot without being established, Extant was written by a nobody. Mad Men also didn't sell until the creator had done other things.
- Writing your own show demonstrates an original voice, which can be great... but some showrunners want to see people who write in their tone, so specs are sometimes better.
- With that, you should really have a dossier of 2-3 original pilots and a few spec scripts so if anyone wants to read more of your work, you have it available!
- The series Bible has gone from the 40 pages of the 90s to just 6-15 pages now, but you should still know everything about your characters.

photo: Jonathan Bredemeyer

* find more pictures of these panels, plus others, the exhibit floor, and off-site events at our SmugMug site!

My 2014 Comic-Con TV Panels

In a week, it'll all be over. San Diego Comic-Con (known by many simply as "Comic-Con") begins on Wednesday night at 6pm and runs until Sunday at 5pm. Plans for the convention begin over a year in advance, and the dates for the subsequent event are generally known before the current one ends. Online pre-registration for badges takes hours. Determining your hotel order for the lottery is a lengthy process. But what really takes time and effort is planning how you'll make the most of those four days... from panels to see to booths to visit, from autograph possibilities to sorting through shopping exclusives, from to sifting through film schedules to discerning the best off-site activities, the work involved is great. [flashback to our previous SDCC schedules: 2011, 2012, 2013.] And that's considering you've been before and don't need to learn how to get around San Diego, where to eat, and how the logistics of attending work.

Because of the amount of work involved (note that I haven't even mentioned the hours spent in lines yet), outsiders don't think Comic-Con is worth the hassle and expense. It is a pricey event (for starters, the vast majority of hotel options come in over $180/night), but it's also one of a kind. Repeat attendees share a camaraderie like no other; once you've been initiated into SDCC, you understand. You share a kindred spirit with all who swarm upon the San Diego Convention Center, whether they be comic book collectors, zombie fanatics, wannabe filmmakers, creative cosplayers, or another variety of pop culture junkie. Folks at Comic-Con appreciate the passion everyone has for something, regardless of whether there's overlap in interest, and that's what makes the ambiance of the environment truly special.

All of that said, I've painstakingly narrowed down my selections and made my schedule for how I will spend Comic-Con this year. I still have twelve television panels on my list, but I'm not going to be camping out in Ballroom 20 or 6 BCF all day to maximize my TV program exposure. Why? Because I have other interests, too, and can't wait for my geek-out moments, which inevitably happen (like after the Disney Afternoon panel last year).

So, without further ado, here are the television panels I'm hoping to see, tweet, and report on this year:

Thursday, July 24th
10:30-11:30am: Legends of TV Land (Indigo Ballroom, Hilton Bayfront), featuring Betty White, among others, who will answer questions about making history on television. Plus, a look at the animated episode of Hot in Cleveland.

11:30am - 12:30pm: Dig: A USA Network Event Series (Indigo Ballroom, Hilton Bayfront), an inside look at this fast-paced international thriller, with actors participating via satellite from Israel.

8-9pm: Psychology of Cult TV Shows (Room 23ABC), will feature several scholars and scientists and examine the cult followings of shows like Doctor Who, Firefly, and Buffy. As someone who has studied Rocky Horror cult fanatics, I'm especially interested in the scholars.

Friday, July 25th
11:30am-12:30pm: iZombie Pilot Screening and Q&A (Room6BCF), for the new CW series that will premiere midseason.

1:30-2:30pm: The Chair: One Script, Two Visions, One Winner (Marriott Hall 2), for the new Starz series. Both directors and the creator will be there, and scenes from the movies and the series will be shown. I've already written a little about this show, and look forward to more.

4:30-5:30pm: Falling Skies: Season 4 Panel (Room 6BCF), for what may very well be the final panel for this post-apocalyptic television show. I've seen the three before this one (2011, 2012, 2013), and while they're not groundbreaking and tend to show you a clip from the very next episode, they're a goof time.

5:30-6:30pm: Roar Comics: Saved by the Bell, Punky Brewster, and More (Room 8), because I love that some of my favorite characters are in serialized narrative format. Some announcements are also promised, so perhaps more television shows are going that way?

7-8pm: The Unexplained Files (Room 7AB), from Science Channel, will be taking a deeper look at stuff you can't believe. It's as simple as that, but still truly fascinating, plus there will be scholars, eye witnesses, and prizes.

Saturday, July 26th:
10-11am: Why Not Serious? Comedy vs. Drama in Animation (Room 9), caught my eye because I hadn't thought about how little action and adventure is in cartoons. I grew up with Danger Mouse, and The Awesomes is around, but the big 80s/90s X-Men, Batman, and the like aren't really there anymore, so I am interested in the theories as to why not.

5-6pm: The Digital Revolution: The Convergence of Television and the Internet (Indigo Ballroom, Hilton Bayfront), will hopefully offer more information than I've already been learning lately about how ratings are changing and people are "cord-cutting."

8-11pm: Warner Bros. Television and DC Entertainment: The Flash, Constantine, Arrow, and the World Premiere of Gotham (Hall H) may be too tough to get into, as the Gotham pilot is very highly anticipated, plus a full viewing of The Flash will also entice people, but I'm game to try.

Sunday, July 27th:
10:15-11:15am Sesame Street & Pop Culture: 45 Years of Spoofs on the 'Street' (Room 6A) is near and dear to by heart. Two new parodies (on Comic-Con and Star Wars, no less!), plus looking at how popular culture has influenced the iconic show, with muppeteers on the panel.

Yeah, you probably noticed that there are quite a few gaps in this schedule... so what else am I planning on seeing, panel-wise? Well, Thursday features a Hanna-Barbera offering I don't want to miss, plus a Goonies discussion, and a look at retro 90s stuff. Friday and Saturday I'll hit a little of the Film Festival for a little bit of old-time Disney magic, plus take in a few how-to sessions about writing television shows. And Sunday I'm back at my old scholarly ways with an anthropological study panel, plus the making of the LEGO movie. Keep checking back as we report on the many distinct facets that make up Comic-Con!

Throwback: Favorite Cartoons

by Amy K. Bredemeyer

Since Comic-Con officially starts today, I thought that I'd do a throwback that features some of my favorite cartoons. And not just those from childhood, either. I totally watched cartoons through high school, haha.Sure, I still catch them on Netflix every now and then, but I haven't regularly followed any (not counting The Simpsons and South Park, since they're not geared toward children anyway) regularly in years.

My mom tells me that I had a Rainbow Brite obsession as soon as I could discern specific programs on television. I remember renting a few at the video store when I was learning to read, but I honestly can't remember watching the show on regular television. I still love Rainbow Brite, and will be rocking a shirt from the show tomorrow! (Today is my Marvel shirt. of course.)

Now, my very favorite from elementary school: ThunderCats. You better believe that I was the only girl in the first grade rocking a ThunderCats lunchbox and thermos! I loved that show, from how cute Snarf was to how cool it looked when Cheetara ran to the Rober-Berbles and how neat it was to have robot pandas around. Mumm-ra was a pretty scary bad guy, but I thought he was unique.

Next, the cartoons that I watched religiously after school as part of the Disney Afternoon years: Gummi Bears, TaleSpin, and Chip 'n Dale's Rescue Rangers. As I've probably mentioned before, Rescue Rangers was what we talked about at snack time in Kindergarten, so I had to be up the latest adventures of Chip, Dale, Monty, Gadget, and Zipper! FatCat was my favorite villain, though Nimnul ran a close second! I thought that the storyline for Gummi Bears was just fabulous, and the characters were quite lovable. With TaleSpin, it was simply the characters. I thought that Don Carnage was a hilarious bad guy, and the idea of "cloud-kicking" blew my mind. The storylines were a bit outrageous (I wasn't the best at allowing myself to have a willing suspension of disbelief as a child) and wrapped themselves up all too quickly, but how could you not love Wildcat, Baloo, Molly, Kit, and the others?

And, on the weekends as a youngin', Foofur and Punky Brewster were my Saturday Morning Cartoons of choice. As a kid who was deathly afraid of dogs, the idea that a bunch of canines lived together (along with Fencer the cat and a few rats) with no real owner was amusing. The constant hiding from the realtor was funny to me, and I just remember laughing at the show all the time. With Punky, I think it was Glomer who first sucked me in. He seemed like such a cool "pet" and I had a fascination with magical creatures and the world of fun that they could create for someone. Sure, Punky and her friends were cool, but Glomer, he was amazing! 

Middle school was pretty simple for me... Rugrats and Doug. I was new to having Nickelodeon, and those two shows were big hits with me and my siblings. While everything that the rugrats ever did was pretty unbelievable, I adored their ability to teach about other cultures and holidays, and thought that the writing was great. Doug was quite a bit more believable (well, not the fact that people were blue, haha), and I thought that most of the secondary characters were well-written and developed... like Judy, Connie, and Mr. Dink. I'll even admit that I actually liked the Disney episodes of The Brand-Spankin' New Doug, which wasn't a hit with a lot of other people. I thought that aging the kids a year did a lot for the show and the way they handled the situations that were faced.

In high school my favorites included The Weekenders, Teacher's Pet, Recess, and Pepper Ann. The first two were Saturday morning shows, the latter two were afterschool shows (though they began on Saturdays, of course). I've written about a few of these before, but in a nutshell, it was the characters that kept me coming back. In The Weekenders, the cast was pretty small, so it was easy to latch on to each of the four, and understand where they were coming from and what they were doing. With Teacher's Pet, the idea that a dog went to school was pretty intriguing, but the fact that his teacher was also his owner (and she didn't realize who the dog was) baffled me to the point that I just couldn't stop watching, waiting for the day that she discovered the truth. My fourth grade wasn't like Recess in any way (we didn't even have cliques yet), but the storylines were incredibly believable to me, and the roles that the kids took in each scheme just made sense. Similarly, although I couldn't directly relate to Pepper Ann, I just "got" the show and her interactions with other characters was just moving for me. 

My college cartoon was totally As Told by Ginger, which I just thought was written well. There were a bunch of characters, the storylines were more pre-teen/teen-oriented, and the depiction of social life at school was a little more believable than a lot of other shows. Plus, there was a special where they went to camp, and I spent two of my summer during college working at a resident camp, so that held a special place in my heart. 

I know you're dying to share... what have your favorite cartoons been throughout life??

Top 10 TV Character Adoption Stories

by Amy K. Bredemeyer

Quite some time ago I was flipping through the channels late at night and caught the episode of The Flintstones where Fred and Wilma have Pebbles. It really is hilarious if you haven't seen it. I saved it to my DVR and later showed a friend. He asked if the same thing happens when Bamm-Bamm is born, and I pointed out that Bamm-Bamm was adopted. He didn't know that, and I think that many people probably don't. So, I wanted to take some time to draw attention to some of the great adopted characters on television. I'm specifically looking at adopted characters whose stories are told or addressed in the show.  

10. George Camden from 7th Heaven. Although not a major character, George is adopted by Eric's parents, the Colonel and Ruth. In the same episode, Eric and Annie also consider adopting the child, which would have been interesting since the Camden kids did not particularly take to him. His real father shows up later in the series, and after some strife, gets along with everyone.

 

9. Arnold Jackson (and Willis) from Diff'rent Strokes. Mr. Drummond's housekeeper was the boys' mother, and after she died, he took them in. It's a real rags-to-riches story, and while the fact that the boys weren't Drummond's biological children popped up from time to time, it wasn't a big issue for arcs at a time.

8. Rose Nylund from The Golden Girls. I didn't know that Rose was adopted until I had seen thirty or forty episodes of the show. Turns out, her mother died in childbirth and her father was a monk who chose to return to the monastery (weird, huh?). She lived in an orphanage until she was 8, then was adopted by St. Olaf's favorite dairy-farming couple, the Lindstroms. There's an amusing storyline about Rose thinking that Bob Hope was her biological father, too. 

7. Natalie Green, from The Facts of Life. She grew up knowing that she was adopted, and while she was at the boarding school she decided that she wanted to meet her birthmother. Blair (who had the money and the connections) tracked down the woman, but Natalie ended up not showing to meet her, deciding that she was grateful for the parents who raised her. Later in the series she does meet her birthmom, but ultimately decides that she's very thankful for her adoptive parents. 

6. Skippy Handleman from Family Ties. Skippy accidentally found out he was adopted when he saw the papers in his mother's drawer. Skippy is determined to meet his birthmother, and brings Alex to see her. Skippy and his mother have a lot in common, and Skippy is excited to being a long-lasting relationship... only to have his mother tell him that she doesn't think that they should see one another again, and that he reminds her of a painful past. Skippy returns home to his loving parents, who have been heartbroken about the whole matter at the Keatons' home.

5. Alvin, Simon, and Theodore Seville; Brittany, Jeanette, and Eleanor Miller from Alvin & the Chipmunks. Going off of the cartoon stories of the chipmunks' & chipettes' origin, the guys were placed in a basket and their mother left them on Dave's doorstop. Dave struggled with them at first, but as soon as they got him a job with their recording of "Witch Doctor," all was well. The Chipettes, on the other hand, came from an orphanage in Australia, where they were a pet of a girl named Olivia. When Olivia was adopted, the chipettes were about to be exploited by the woman running the orphanage, but they ran away in a kangaroo's pouch, then stowed away on a ship to America. They lived in the park and worked in a restaurant, then rode a bus to California and got a singing job. They moved into a treehouse, but when they went to school, the school was upset that they had no guardian... so Dave's neighbor, Mrs. Miller, adopts the girls.

4. Steve Sanders from Beverly Hills, 90210. So this is a tricky one. He doesn't know he's adopted until the end of the first season. He went crazy trying to find his "real" parents, only to find just his mother's father, as his birthmother had died. Later we find out that his adoptive dad is his real dad as well, and only his mother, actress Samantha Sanders, was not actually a blood relative.

3. Punky Brewster from Punky Brewster. Her father abandons the family, then her mom leaves Punky and her dog (Brandon) at a shopping mall, never to return. Punky takes shelter in an empty apartment, but is found by the building's manager, who ends up jumping through a lot of hoops to adopt her. He fosters her for a while, she gets sent to an orphanage, but eventually the two live happily, and his curmudgeon ways disappear.

2. Bamm Bamm Rubble, from The Flintstones was the very first adopted child on television. He was left in a basket (as an orphan) at the Rubble's house, with a note revealing his unique name. Betty and Barney Rubble want to adopt him,and head to the Child Welfare office to make it official... only to discover they have to wait a week while their application is processed. They end up being denied, since someone was ahead of them on the waiting list. Betty and Barney take the other couple (rich folks) to court. Turns out, the woman from the other couple is pregnant, so they let the Rubbles have Bamm-Bamm.  In case you've never seen this one, I've added a couple clips:

cropped with SnipSnip

1. Albert Ingalls, from Little House on the Prairie. Charles wanted a son so badly, but a biological one just wasn't in the works (the only son Caroline birthed, died). They find Albert living on the streets when they live in Dakota Territory, and he comes back to Walnut Grove in the end. His biological father does come back into the picture for a short time, but it is ultimately the Ingalls who love the boy despite his faults... like burning down the school for the blind with his niece inside, getting addicted to morphine, having the town believe that he was an illegitimate father, and ultimately dying of cancer before he could achieve his dream of becoming a doctor.

I know I'm missing another dozen or so adopted characters, but I really enjoy these stories (I mean, wasn't Webster just a copy of Diff'rent Strokes, LoL?). What adoption stories come to your mind? 

Sitcom: yes. Animation: no.

by Amy K. Bredemeyer

But even the 'yes' on sitcom is iffy.

For Soleil Moon Frye, the 1980s were dominated by portraying the spunky orphan, Punky Brewster. Four seasons of live action were intertwined with two seasons of animation (and an unrealized spin-off). Punky Brewster was an NBC show, which tackled a long and unsettling story arc in the second season where Henry (Punky's foster father) suffers an ulcer after his photography studio burns down, forcing Punky to be cared for by neighbors, then whisked away to Fenster Hall (an orphanage), sneaking out, then getting stuck with some rich foster parents, before finally being reunited with Henry five episodes later. Well, shortly after that NBC gave up, but it was popular enough to warrant an additional two seasons in first-run syndication (aka a grand total of three months, watching a new episode every afternoon on weekdays).

This post is a snark on NBC throwing in the towel too early (obviously they could have continued the show), but more importantly, it's about the lack of focus put on the animated series, It's Punky Brewster. I caught this one long before I found Punky Brewster on the Family Channel in the afternoons (back when the lineup on that channel included brother-sister game shows back-to-back). It ran on Saturday mornings, in that typical 2 12-minute episodes per half hour format, and my parents taped several episodes for me that I'm sure are still floating around my mom's house somewhere. (I also had a pair of Punky Brewster velcro-fastened sneakers when I was in Kindergarten, and they were super colorful and AWESOME.)

The animated feature was very much like the original, except that Allen is still there (he eventually moves to Kansas on the sitcom), and they hang around with a magical little furry guy named Glomer, who lives at the end of the rainbow. Henry is still a photographer, but the majority of episodes take place either at school, or someplace trying to remedy one of Glomer's spells. I've only seen a handful of episodes, including one where Punky is turned into a mermaid, one where Punky tried to expose a breach in child labor laws in a candy factory, one where Punky and her friends have to spend $1 million in two days, a Valentine's Day episode, and one where Punky acts as a detective.

Regarding why the show didn't last longer, I can't really seem to find a definitive response. I'm thinking that since NBC gave up on the sitcom in March of 1986, they didn't want to continue the animated series either, so they ran that out in December 1986.

I found one episode online, where the kids get shrunk.

Top 10 Shows set in Chicago!

by Amy K. Bredemeyer

So this is kind of a strange topic, I know. I thought about it when I was watching ER this morning, and thought about how much I love that show, and Perfect Strangers. And from there, I just went with the idea.

10. The Bob Newhart Show. The only one on this list I don't watch, and I had to use the internet to find it to use as filler.

9. Webster. Funny show, it aired both in the city and the suburbs (Webster burns down the apartment at one point, forcing the family to move into a huge house instead).

8. Good Times. Depicted the Projects of Chicago.

7. Married... With Children. Chicago suburb. white trashy house, too.


6. Punky Brewster. definitely Chicago. and a way cool show! also in an apartment building. but Margeaux had a mansion and I think Alan lived in a different complex, so we saw some other real estate options. And of course there was Fenster Hall, the orphanage that Punky goes to on and off before Henry's official adoption.

5. Two of a Kind. bet you forgot about this show. It was one of the Mary-Kate and Ashley shows, running one season on the ABC TGIF lineup. Definitely a house with a backyard.

4. Roseanne. It was in Lanford, Illinois, but this was apparently only an hour from Chicago, so I'm going to count it. It's a house in a decent neighborhood, but definitely designed in the working-class mindset (no dishwasher, for instance, LoL).

3. Family Matters. From Day 1, it's very Chicago. A really large house depicted in a clean-cut neighborhood.

2. Perfect Strangers. Obviously Chicago, since it's a spin-off of Family Matters. Larry and Balki have a small apartment, and I think I equated apartments to being just like theirs (I was young when it premiered, LoL).

1. ER. obviously I was saving this for the #1 slot. They take the L-train often, so that's a dead-ringing indicator. some of the characters have houses, others have apartments. Carter's grandparents' estate can't be too far, he did live there and commute for a while.