by Amy K. Bredemeyer
Do you remember how much television the family watched on Roseanne? Well, The Hecks must be the Conners of 2012, because Sue and Brick certainly demonstrated a thorough knowledge of useless reality programming! Those jokes aside, I found this episode to be truly delightful. I'm honestly surprised at how much I like this show sometimes... it's such a simple concept with characters who could seem pretty obnoxious if they weren't also so endearing. I particularly loved the scene where Mike talks about getting Frankie out of college and Axl into college. The addition of those two taking Tylenol PM to help with their headaches had me laughing pretty hard. The one thing that didn't add up for me this time (ignoring the idea that Axl could fall for someone like Cassidy) is that I'd imagine Frankie would ask for the change from Brick's snack fairly quickly... not allow days to go by before realizing that she hadn't gotten that money from the kids.
The Middle "The Safe" (S04E07): Axl has been doing mean things to Sue, like giving her maple syrup in place of shampoo. [so gross!] Mike is worried about Axl's scholarship situation, so he and Frankie ask Axl get a tutor and work more diligently on his studies. He doesn't get off to a great start with Cassidy, who will be attending Vassar next year. [so she can't last all that long on this show.] When he doesn't do work for a couple of sessions, he kisses her to show her how fun high school can be, but she leaves the room, saying she has a boyfriend. [I did like that the one time Axl asks Frankie for help studying, she's really not available to assist.]
Frankie is consistently late to dental assisting school, so the instructor uses Frankie as an example of poor oral care. She's also the only one taking notes on paper instead of a laptop. [I don't know that she'd even want to try doing so on a computer, thought!] Later, she's caught with notes on her arm when she needs to take blood pressure for an exam. [yet she isn't kicked out... no honor code there?]
ABC/MICHAEL ANSELL |
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